Manfrotto Pixi and Pixi Evo


Roughly one year ago Manfrotto has launched the Pixi Evo, a miniature lightweight tripod with two-section legs and five adjustable steps. The Pixi Evo represents a design update over the original Pixi mini tripod, and is designed, in part, to support entry-level DSLRs with large lenses. I got mine from Hi-tech Wonder in Lisbon.



Maximum load capacity is 2,5 Kilograms, which is quite substantial given the size of the Pixi EVO. In spite of this, the tripods are lightweight due to the use of aluminium and technopolymer. Features include a portrait shooting mode with a 90-degree tilt, sliding selectors on the legs, and three color options: white, red, and black.


I have been using Manfrotto’s Pixi Evo for a few months now and let me tell you how handy this is: it really is compact, extremely light at only 260 grams, and folded takes up 20 centimetres. I use it with the X-Pro2 and any of the Fujinon lenses that I usually carry around, from the 18mm f2 to the heavier 50-140mm f2.8.


The original Pixi, a design revolution and precursor to the EVO, would only stand one kilo maximum load and, at 190 grams was not that lighter. Therefore, what Manfrotto achieved with this second Pixi is outstanding.



For me it is some sort of buddy, something that I will put on top of almost any surface knowing that it will do what it says on the tin.


I’ve used a couple of Pixi mini tripods for everything, from speedlite mounts to LED stands and they are sturdy, reliable and beautiful objects. The one I’ve photographed here is roughly three years old and still looks the part, fully functional, no problems whatsoever. Hopefully this new EVO will have the same predicaments.




Hi-tech Wonder, Pixi:

Hi-tech Wonder, Pixi Evo:


Photographs: Fujifilm X-Pro2 and Fujinon XF 90mm f2, two LED light sources, one Fujifilm EF-X500 shoe mount flash as a stand alone unit, camera mounted, FP HSS. Velvia film simulation, ACR and Photoshop to taste.

Genesis BH 34 Arca Swiss head and Giottos Carbon Fibre Tripod GT8223


I’ve been using this set for quite a while, both the Arca Swiss head from Genesis, model reference BH 34 and Giottos Carbon Fibre Tripod GT8223.


For all of you out there working on a mirrorless based system, weight is paramount – at only 1150 grams (tripod 810 grams, head 340 grams), this is an extremely lightweight system, portable on the side/underneath your backpack or even handheld in a soft case.


For Fujifilm users that use handgrip on their cameras (except power booster for X-T1/X-T2), the Arca Swiss norm is quintessential. Instead of having to rely on a normal head system, with a plate (camera mount) to attach to the camera, which is cumbersome and impractical, with Arca Swiss heads the camera base plate is the actual plate that slides onto the tripod head, sliding in and out one way, faster, safer and improving practicality and work flow, exponentially. Believe me, once you’ve tried this solution you will agree with me, no doubt.


The Genesis tripod head I’ve been using (BH 34) costs less than €55, has a maximum load capacity of 15 Kg(!) and I highly recommend it, due to an unbeatable price/performance ratio.


This ball head is made of lightweight and durable aluminium-magnesium alloy. It features panoramic base with rotational scale to ensure seamless panning experience – extremely smooth. Additionally, there is a knob to unlock the ball with an integrated limitation stop that allows pneumatic adjustment of the ball’s clamping force, clever. The quick-release’s mounting point features spirit levels for precise framing and is equipped with special bolts protecting against the accidental fall out.


The ball diameter is 34mm, height at 93mm – you get a reduction key and a 1/4”-3/8” reduction, a case, an Allen wrench with it, so it will fit almost anything you throw at it.



Giottos has now discontinued this model (GT 8223 Carbon Fibre Tripod), but you can still find it in a few retailers that kept them in stock for longer, usually with 5011N Giottos head, a universal camera mount tripod head, no Arca Swiss here. At around €120 it is an exceptional deal. There are other options, from Triopo, models GX 1027 and GX 1127, from €119, without head – so around €170 provides you an excellent solution, durable, piratical, cost-effective and lightweight.


The reason I would recommend carbon fibre over aluminium alloy, is not only about weight gain – 35 to 45% – indeed, carbon fibre has higher strength and has more resilience to fatigue, is less prone to vibrate (some say in excess of 50%, imagine what it can do to your long exposures) and it has better looks and finish.


The reason I would recommend carbon fibre over aluminium alloy, is not only about weight gain – 35 to 45% – indeed, carbon fibre has higher strength and has more resilience to fatigue, is less prone to vibrate (some say in excess of 50%, imagine what it can do to your long exposures) and it has better looks and finish.

If you’re on the market for a tripod that you are going to use often, although it is not something that you’ll use on a daily basis then a 3 section leg tripod, with legs around 20mm in diameter, a maximum height of 140 to 160 cm, weight below one kilogram and a maximum load capacity of around 4 to 6 kilograms will do the trick. A hook in centre column is welcome: on windy days extra weight can be added this way, providing a sturdier base to your camera, reducing wind-induced shaking. Also, make sure you can invert the centre column so that macro and studio photography will not be an issue.


Let me just stress the fact that, if your gear is equipped with an Arca Swiss base plate it is absolutely irrational to buy a normal base plate tripod head, given the advantages one gets from using the Arca Swiss norm.


Genesis head:

Triopo tripod:

Triopo Tripods:



A bit more on Arca Swiss: Camera equipment maker Arca-Swiss independently developed a quick-release system for use on their tripod heads. It is based on plates that are 38mm wide, and have a 45° dovetail, which is held into place on the receiver with a screw clamp. Starting in the 1990s, with the popularization of the Arca-Swiss B-1 ballhead, many other companies began producing plates and including Arca-Swiss style (sometimes referred to as arca-type) receivers on their tripod heads. Today most plates are machined aluminium which are attached to the cameras or lenses with a 1/4-20 hex screw.

Another aspect of the Arca-Swiss system is that the mounting plates are designed to prevent accidental rotation of the plate relative to the device. When used with a camera or camera body the plates incorporate an anti-rotation flange or lip. When mounted to a lens with a foot, the plate will often be secured with two screws to prevent rotation. When this type of system is used, the camera cannot become accidentally detached from the tripod, which is possible when using a quick-release system that doesn’t prevent rotation, or when no camera mount is used. Nearly all makes and models of modern SLRs, medium format cameras, and large lenses have specific plates available with anti-rotation flanges. Universal mounting plates are also available, which can be used with nearly any camera with a tripod mount, though they provide little or no anti-rotation protection.


All photographs: Fujifilm X-Pro2, XF 90mm F2, two LED light sources and one Fujifilm EF-X500 Shoe Mount Flash, mounted on to the camera as a stand alone unit. ACR, Velvia Film Simulation and Photoshop to taste.


Coordame “Mar Flat” wrist strap


Hand made in Portugal by Coordame, this is one of the finest wrist straps I’ve ever tried. It will have a place of its own alongside my X-E2s, replacing an industrial made, characterless, Joby.



Made of 8mm flat hollow cord – it naturally assumes a 13mm flat form factor, it is extremely lightweight and anti-perspirant – this one is military green, one of my favourite colours. The finishing is made of high-quality Portuguese leather and a small disc completes the set, which is a clever solution to prevent wear and tear around the camera hinge that supports the strap.


I used it for a week on an X-Pro2 with several different lenses, from the small, lightweight, 18mm f2 to the “massive” 50-140 f2.8 and I have to say that it was a real pleasure to use. The strap is made of a gentle, natural, pleasing material (non abrasive to your skin) and the leather made adjuster is easy to use.


Wrist straps from Coordame cost 18 Euros, shipping included to mainland Portugal, plus shipping if dispatched to a different country – a bargain given the quality of their products. If you’re looking for a trendy, high quality wrist strap, look no further – highly recommended! Of course, you can choose strap colour and stitching colour to suit your preferences – and packaging is retro styled, an absolute must.



Started in April 2016, Coordame Straps, is a small project that offers high quality fully handmade camera straps (wrist straps and neck straps) with add-on strap accessories. It’s an original fusion of Portuguese sailing and leather work history and the love for photography – “Coordame”, two words merged in just one “Cordame” – old word for rope/cord – and “Couro” – leather – each strap is made by hand from Portuguese leather, using high quality european cords.


According to Coordame, their straps and wrist straps are made with the users of mirrorless cameras in mind, such as: Fuji X Series, Olympus, Leica M, Sony’s, Pentax, rangefinders, point-and-shoot, although they state it is also possible to attach them to small-size DSLRs cameras.


For all inquiries about Coordame Straps please email:


Instagram: @coordamestraps

Facebook page: coordamestraps


All of Coordame Straps are handmade to order. Order processing time is within 4-6 business days unless otherwise noted (a notification will be emailed to the customer in case of an order delay). All payments by Bank transfer (Portugal) or PayPal (EU). Prices are in Euros (call to know).

Shipping Methods: Orders are shipped via the Portuguese Postal Service (CTT) in Registered Standard shipping method for both Portugal and international (Please allow between 9 to 15 business days to the rest of the world. Delivery times for all shipping methods are estimated).

Tracking number is provided for all orders (track your items on the Portuguese CTT website and after leaving Portugal, some countries Postal Service websites allow to track it inside the country).


All photographs Fujifilm X100T, one LED light source, Classic Chrome, ACR, Photoshop to taste.





Workshop Fujifilm em Algés, Street Photography

Fim-de-semana a correr, do Porto para Lisboa na quase madrugada de sábado, depois de ter estado na festa de aniversário do P3 na Casa da Música na cidade do Porto e me ter esquecido das horas. Viagem tranquila, tardia para leitão no Pedro dos Leitões – fica para a próxima…_dsf0488-copy


Noite bem dormida no Sana Metropolitan na Soeiro Pereira Gomes – embora curta… deu para retemperar.



Manhã de sábado, sala cheia no Palácio Anjos em Algés com cerca de 70 pessoas ávidas por conhecimento – espero ter cumprido…


Depois do almoço a câmara Municipal de Oeiras disponibilizou um autocarro para nos levar a Belém para o photowalk da tarde, tendo todos os participantes tido a oportunidade de experimentar a X Series da Fujifilm. Muito obrigado ao Carlos Maia da CMO que esteve irrepreensível na organização do evento, belíssimo.


Photographs: Fujifilm X100T Black.



P3 – A festa dos cinco no menos três (da Casa da Música)


O P3 fez cinco anos e a festa foi no piso -3 da garagem da Casa da Música – festa de garagem, com cerveja artesanal Letra, Licor Beirão e Bulldog com Castello Tónica à pala, street food e música, muito boa música a ilustrar, com os Equations, Jibóia e um DJ Set do Alfredo dos Sensible Soccers.


Infelizmente não pude ficar até ao fim – compromissos profissionais na manhã seguinte – mas fica aqui o testemunho de X100T na mão, belíssimo set para a festa de uma das mais importantes publicações portuguesas, no que à cultura diz respeito.


Muitos parabéns  – que haja mais para o ano e durante muitos anos e sempre do melhor. Tudo de bom, mesmo muito bom, para a equipa do P3, agora dirigida por Luís Octávio Costa e boa sorte para o Amílcar Correia na sua nova aventura no Público.

Photographs: Fujifilm X100T Black

Fujifilm EF-X500 Shoe Mount Flash Review – Part One

efx500boxBoxing is typical Fujifilm X Series fashion, big black elegant boxes, white letters and graphics

The brand new Fujifilm EF-X500 flashgun arrived yesterday straight from Fujifilm Portugal – actually I received a pair of these units. This is the first part of a detailed review that I started straight away, after all Fujifilm was missing a proper, professional grade flash system and the EF-X500 promises to deliver. The guide number is 50m at 100 ISO @ 105mm.

The first part of this review will focus on the design and perceived quality, first impressions to put it simply and I have to say that straight out of the box the EF-X500 is impressive. Build quality is second to none, Canon and Nikon are clearly overshadowed: touch, materials, dials and buttons are top notch, but flaps and hinges are a step further and there is no sense of fragility whatsoever. These units seem to be build to last forever. They are made in China, not in Japan, but that doesn’t seem to make any difference regarding build quality.

EFX500LCD.jpgControl buttons are backlit – the LCD in standard flash mode provides plenty of information, well laid out and easy to read, backlit in green

Enjoy the first set of pictures, part two will cover essential features and functions of the EF-X500, soon.

EFX500BACKtif.jpgFinishing resembles X-Series cameras, leather like material, good standard and incredible looks for a flash

EFX500SHOE_DIFFUSER.jpgGood quality soft case included – it holds the EF-X500, mini-stand and diffuser

EFX500DIFFUSERONtif.jpgTo attach the diffuser you must remove the accessory mount cover – clever, thus reducing diffuser size

EFX500WIDEtif.jpgCatchlight and wide panel (minimum coverage 20mm focal length in 35mm equivalent, which is basically 14mm in APS-C terms)

EFX500BATTERYLID.jpgBattery chamber-cover is solid and well designed, easy to operate on the go

efx500powerEF-BP1 will be available as an external power source – it will be connected to this socket

EFX500MADEINCHINA.jpgMade in China – this time Fujifilm opted to leave Japanese manufacturing out of the equation

EFX500LEDtif.jpgLED light is powerful – this shot was made without any further lighting. It can be used for video, AF low light beam and/or catchlight

EFX500LCD2.jpgLCD in standard flash mode, backlight off

EFX500LCD3.jpgLCD in remote flash mode

EFX500LCD4.jpgLCD in master flash mode

EFX500XPRO21655tif.jpgMounted on a X-Pro2: perfect balance and size, given the guide number and available functions

Photographs: one LED light source, Fujifilm X-Pro2 and Fujinon XF35mm f 1.4

Hyperion Coloured Handmade Camera Straps


Hyperion is selling these handmade camera straps on ebay – they are hand made in Greece by my good friend Pablo; he manufactures every single one with love – one by one, by hand and tailor made. You can set specific length, color and trimming.



I’ve used this one for quite a while on my X100T – the material has some elasticity, the trim is solid, the whole strap is extremely lightweight and very pleasant when it gets in contact with skin: there is a plush sense of comfort and it doesn’t make you sweat.


You can also order a wrist strap if that’s your cup of tea, again length, trim and color to taste. They sell for £12 on ebay, which is a bargain.For those of us that prefer not use the original camera straps and are not willing to spend a fortune on one, this is a trendy, elegant and durable option.


Neck and Wrist Handmade Camera Straps, 238 Colour combinations to choose from. Fully Customizable in Length. Worldwide Shipping – 13€ Each

Order processing:

  1. Email Pablo: , telling him the type, the colour combo you want and your mailing address.
  1. He will make the strap and send you a photo of it when ready, to approve it.
  1. He will mail you the strap – good news, soon it will be in your hands.
  1. You can pay through pay-pal or bank transfer.



All photographs with Fujifilm X-E2s and Fujinon XF18mm f2.0 – One light bulb, ISO 2500, handheld. Classic Chrome film simulation, RAW and Adobe ACR, Photoshop to taste.

The Last of the Tile Makers publicado nos Estados Unidos

Publicado hoje pelo Viewfind, São Francisco, a série “The Last of the Tile Makers” – aqui publicada como “Baking Tradition into Tiles” que fotografei no Reino Unido em 2014. Conta a história dos últimos dias de vida da Keymer Tiles, manufactura fundada em 1588, que encerrava tudo o que era “quintessential” na cultura industrial britânica. O excelente texto é do jornalista americano Chris Ames, com quem tive o prazer de falar há algum tempo atrás acerca deste ensaio.



Trump, o milagre americano…

Disse desde o primeiro momento que Trump ganharia as eleições nos Estados Unidos. Não adianta achar que o povo é burro – longe disso – ou que Trump é um oportunista (é muito provável que seja só isso mesmo). Lamento se para a classe política americana é difícil perceber, se para economistas laureados tudo parece um pesadelo, se para a imprensa é duro tentar explicar aquilo que horas antes era dado como absolutamente impossível. A simplicidade da eleição de Trump resulta da insatisfação de um povo que já não se revê nos políticos e na política de sempre, no establishment. Mas este não um divórcio intelectual, longe disso – é um divórcio material, é uma relação que se quebra por razões básicas de subsistência, de dignidade, de esperança num futuro digno para os filhos. As mudanças sócio-económicas introduzidas pelo avanço irredutível da globalização, pelos fluxos migratórios recorrentes, pela agudização das desigualdades e inexplicável distribuição de riqueza, o alheamento grosseiro dos políticos face às questões prementes do quotidiano dos cidadãos, o desenvergonhado enriquecimento da classe política e de muitas empresas americanas, o recrudescimento dos offshores, a má gestão da falência e resgate de instituições bancárias e a bolha imobiliária, levaram a que os americanos decidissem abrir a porta a quem – ainda que de forma patética, quase absurda – lhes promete resolver este conjunto intrincado de questões de forma simples, devolvendo-lhes a qualidade de vida perdida por entre o sonho e o pesadelo americanos. Se de algo podemos acusar o povo americano é de ingenuidade, apenas isso. Talvez a mesma que levou os alemães a elegerem Hitler num momento menos sábio ou mais ingénuo da sua história.
Este emergir de um magnata pouco preparado para a tarefa é da única e exclusiva responsabilidade da classe política que tem governado os Estados Unidos nos últimos vinte anos e da desertificação das cidades provocada pela globalização, o que resulta na falta crónica de empregos dignos para boa parte da população. Não há contudo lugar para demagogia: para resolver as questões que deram a Trump a presidência é necessária uma política coerente, acertada entre a esmagadora maioria das nações do planeta, especialmente aquelas que têm mais peso no comércio mundial e isto seria apenas o princípio. Se é fácil compreender porque votaram os americanos em Trump, é sobremaneira difícil acreditar que ele é o homem certo para cumprir com o desígnio que o elegeu. A facilidade com que promete resolver o que preocupa os americanos carrega a mesma incompetência com que os seus pares governaram a nação americana nas duas últimas décadas.
Trump será mais um, apenas isso, vergado ao poder dos lobbies, gerindo os interesses de muito poucos, afagando o pelo das elites e aumentando a sua fortuna pessoal de forma substancial. Que descansem os mercados, o establishment continuará firme e hirto no coração da governação em Washington, muito pouco ou nada mudará realmente na vida dos americanos que elegeram Trump.
A esperança de quem elegera um presidente negro uma década antes esvaiu-se no sangue dos afro-americanos pobres ou de classe média barbaramente assassinados pela Polícia nas ruas de tantas cidades da “maior nação do mundo”.
Let’s make America great again.