One of the best features Olympus E-M1 Mark II has is its HI-RES Mode. The camera can produce up to 80MB RAW images with stunning detail, extremely high dynamic range and superb color rendition.
This clever feature provides professional and amateur photographers with the ability to produce stills that rival the best medium format cameras available today – in a perfect slim, light, fast, durable and fashionable body.
These images were produced at Feira de São Mateus in Viseu, Portugal – this is the oldest fair in the whole of the Iberian Peninsula, a real pearl shining now for 626 years (yes, in 2019 the fair celebrates edition 627)
These are hi-res jpegs (far, far, from the detail, resolution and depth the originals have, but still I challenge you all to have a good look at every single one of these photographs… This is absolutely stunning stuff.
All images © Feira de São Mateus/Viseu Marca/Chappa
Photographer: John Gallo, Summer 2018
Olympus OM-D E-M1 Mark II, M.Zuiko Digital PRO Lenses, ISO 64 to 200, Manfrotto Tripod, several seconds exposures.
Adobe Photoshop to taste
It’s time to stop talking about photography. It’s not that photography is dead as many have claimed, but it’s gone.
Just as there’s a time to stop talking about girls and boys and to talk instead about women and men so it is with photography; something has changed so radically that we need to talk about it differently, think of it differently and use it differently. Failure to recognize the huge changes underway is to risk isolating ourselves in an historical backwater of communication, using an interesting but quaint visual language removed from the cultural mainstream.
The moment of photography’s “puberty” was around the time when the technology moved from analog to digital although it wasn’t until the arrival of the Internet-enabled smartphone that we really noticed a different behavior. That’s when adolescence truly set in. It was surprising but it all seemed somewhat natural and although we experienced a few tantrums along the way with arguments about promiscuity, manipulation and some inexplicable new behaviors, the photographic community largely accommodated the changes with some adjustments in workflow.