No words needed – who doesn’t love it? Enjoy…
Olympus OM-D E-M1 Mark II, M.Zuiko Digital 12-40mm f2.8 PRO. ACR and Photoshop to taste.
Concerto ao vivo – memorável. Ficam algumas fotografias de canções sentidas, cantadas com a alma que o fado – ainda que novo – exige.
Carminho encantou uma multidão enorme que, apesar da chuva e do frio, não arredou pé.
Todas as fotografias com Olympus E-M1 Mark II, Olympus M.Zuiko Digital 40-150mm f2.8 PRO. ISO 1250 a 5000. ORF files ACR converted, Photoshop to taste.
Todas as fotografias © Município de Alfândega da Fé (Turismo de Portugal)
Feriado em Portugal, dia de trabalho em Espanha. Reunião de consultores do Olympus Professional Program na sede ibérica da marca, em Barcelona.
Porque o voo era de madrugada, jantar na Taberna do Xisto em Santa Maria da Feira, dos meus amigos Fernando e Ana Paula – delicioso com sempre… Esta malta sabe como confeccionar iguarias à séria.Pelas cinco e meia da manhã filas intermináveis no Aeroporto Francisco Sá Carneiro… Este já não é um país só para velhos!
Título muito curioso nesta notícia, sobretudo para quem vai viajar de avião. E eu não sou nada supersticioso.
PEN-F com lente M Zuiko Digital 17mm f1.8 – lente kit que é vendida em conjunto com a câmara. Modo selfie das Olympus é um mimo.
Partiu-se pedra, de muita coisa se falou (meus amigos, de nada posso falar), almoçou-se in situ e pela tarde dentro continuámos.
Barcelona e os seus icónicos edifícios….
Menos bem instalado, já se sabe, mas a vontade de regressar já era alguma… There’s nothing like home…
Boarding flight FR4545…
De volta a casa… Porto, Aeroporto Francisco Sá Carneiro.
Mais uma hora e pouco e estaria sentado à frente de uma das melhores omeletes de camarão de que há memória, no Casablanca, em Viseu.
Confort food – I’m happier now…. Hmmmm….
Todas as fotografias Olympus PEN-F black, Olympus M Zuiko Digital 17mm f1.8 – ISO 200 a 3200. ACR and Photoshop to taste.
E mais uma… Edição #97 do Shortcutz Viseu. Como sempre, valeu bem a pena. Ficam as imagens, de rabo sentado no meio da assistência, como sempre.
Parabéns ao Carlos, ao Luís ao Museu Nacional Grão Vasco e ao Município de Viseu.
Todas as fotografias Olympus PEN-F black, objectivas M.Zuiko Digital 17mm, 25mm e 45mm f1.8. ISO entre 2500 e 5000.
ACR converted, Photoshop to taste.
M.Zuiko Digital 40-150mm f2.8 PRO @110mm (35mm equiv. 220mm). firstname.lastname@example.org ISO 20000, handheld.
One of these days I was asked if I was using Olympus professionally, if Olympus was my gear on the field. “Yes” I replied. Unfortunately some minds are still full of misconceptions and prejudice, stuck in a Canikon world where size, weight, noise and backache were synonyms to professional photography. The pictures published today reflect the extreme quality, sheer performance and reliability of the Olympus Micro Four Thirds system. Image quality is second to none – in extreme situations, this is what this article is about – image stabilization (IBIS) is probably the best one can have and although there is the myth (another one) that with Micro Four Thirds it is not possible to have bokeh “layers” in any given photograph, these images prove otherwise.
M.Zuiko Digital 40-150mm f2.8 PRO @150mm (35mm equiv. 300mm). email@example.com ISO 20000, handheld.
Yes, all facts and distances, aperture and focal length being the same a smaller sensor will produce images with more depth of field. But how much more? For an image produced with a short telephoto lens (85mm FF equivalent), with the subject standing 2,5m away from the lens and background at a distance of 5,9m from the lens, Full Frame cameras will have a total of 6.8 centimeters of DOF, while APS-C will have 8.9 centimeters and Micro Four Thirds will have 10.6 centimeters. Peanuts, I dare say. Comprehensively, rendering is quite different. And bokeh “layers” will be rendered differently by any of aforementioned systems. Do you know how different they will look from each other? Do you know which one is softer/more or less feathered/more or less pleasant in any given scenario? No, you do not, neither do I, because the variables are so many that one cannot anticipate a specific result.
M.Zuiko Digital 40-150mm f2.8 PRO @150mm (35mm equiv. 300mm). firstname.lastname@example.org ISO 8000, handheld.
Micro Four Thirds systems offer what any other system cannot offer: considerable size and weight reduction, in a system capable of performing at a true professional level. Olympus cameras are absolutely remarkable – I believe that Olympus OM-D E-M1 Mark II is a true benchmark, a beast regarding performance, build quality, reliability, with resources and functions to spare, infinitely configurable to taste and capable of pleasing anyone looking for a truly professional camera. Olympus Pen-F is one the most, if not the most beautiful camera available on the market today. And yes, it is also a beast.
M.Zuiko Digital 40-150mm f2.8 PRO @85mm (35mm equiv. 170mm). email@example.com ISO 3200, handheld.
M.Zuiko Digital lenses, PRO and Premium range deliver stunning performance – Olympus has a very strong reputation regarding lens quality and this new collection, developed for the Micro Four Thirds system is outstanding. Looking carefully at some of the images published here easily we get to conclusions: at full aperture, extremely high ISO, resolution (MTF) is outstanding in the center and extremely good if not extraordinary towards the edges. Some of Olympus’ lenses so sharp that you’ll be hard pressed to see any difference in sharpness across the frame between f/2.8 and f/11 (https://www.ephotozine.com/article/olympus-m-zuiko-digital-75mm-f-1-8-lens-review-20557#Performance)
M.Zuiko Digital 40-150mm f2.8 PRO @142mm (35mm equiv. 284mm). firstname.lastname@example.org ISO 8000, handheld.
M.Zuiko Digital 40-150mm f2.8 PRO @40mm (35mm equiv. 80mm). email@example.com ISO 20000, handheld.
I use this zoom (M.Zuiko Digital 40-150mm f2.8 PRO) extensively, not only because of the covered focal length range (35mm equiv. 80-300mm) being very, very useful, but also because of outstanding optical quality. The Olympus 40-150mm lens is not only stunningly sharp by zoom lens standards, but also sharp by prime lens standards. And this is wide open at ƒ/2.8 at practically every other focal length. Corner-to-corner sharpness is also tremendously good, with almost no change in sharpness from center softness at every focal length. The blur characteristics are very flat. For all intents and purposes, this lens is sharp, everywhere, all the time from ƒ/2.8 to around ƒ/11-ƒ/16, where we see minor diffraction softness coming into play (https://www.imaging-resource.com/lenses/olympus/40-150mm-f2.8-pro-m.zuiko-digital-ed/review/)
And this is one of the biggest, although many times forgotten, advantages of Micro Four Thirds – given the size of the sensor light gets to the the extreme corners of the CMOS almost perpendicularly, as opposed to full frame cameras (specially DSLR’s) where light reaches the corners of the sensor with much less perpendicularity, therefore resulting in much less possible resolution in the image’ borders, and in the corners/extreme corners of the photograph. The practicality of this? I can compose and frame as I want, without having in mind that bigger apertures mean less resolution as a rule of thumb, or that “cornering” my subject will affect tremendously the resolution and the quality of the final image and therefore perception viewers have when they see my work in any given media, especially when enlarged significantly for exhibition. My artistic expression is not fenced by technical shortcomings.
M.Zuiko Digital 40-150mm f2.8 PRO @150mm (35mm equiv. 30mm). firstname.lastname@example.org ISO 8000, handheld.
To be continued (…)
All images Olympus OM-D E-M1 Mark II, Olympus M.Zuiko Digital 40-150mm f2.8 PRO. RAW (ORF) files ACR converted and Photoshop CC 2018 to taste.
Foi a edição #95, de volta ao Museu Nacional Grão Vasco, agora com o apoio do Município de Viseu. O Luís Belo e o Carlos Salvador estão de parabéns, casa cheia – a abarrotar – na sessão de regresso. Tiago Fernandes Alves foi o convidado especial desta edição.
Ficam as fotos.
Todas as fotografias Olympus OM-D E-M1 Mark II, M.Zuiko Pro 17mm f1.2 e 45mm f1.2, ISO 1000 a 10000.
De Henrik Ibsen, foi levada à cena ontem pelas 2130H no átrio dos Paços do Concelho. Uma delícia as aventuras de Peer…
Numa sala cheia, improvisada, com enorme simbolismo, aplaudiu-se de pé um elenco que durante duas horas e meia, aproximadamente, interpretou a peça inspirada na obra do dramaturgo norueguês.
O intervalo foi, literalmente, para o tecto.
Todas as fotografias Olympus OM-D E-M1 Mark II e M.Zuiko PRO 12-40 f.2.8, ISO 2000 a 6400.